Screening

Self × Society

Date
Fri
31
.
5
Time
10:30 am
Location
M+ Cinema

Eyes

1968
Rajendra Gour
5 min

Dysfunction No. 3

1983
Chen Chieh-Jen
10 min

The Hole

1974
Han Ok-hee
9 min

The Shortcut to the Systematic Life: City Spirits

2005
Tsui Kuang-Yu
7 min

City Dog

1992
Koson Trongtosak
Sathien Preedasa
Amnuay Mangmeesri
Chavalit Potisri
8 min

Here's Looking At You, Kid!

1990
Yau Ching
Ellen Pau
Wong Chi-fai
9 min

Wong Ping’s Fables 1

2018
Wong Ping
13 min

Since its invention, Moving Image has served as an art form that allows filmmakers and artists to frame their perception of the world visually and conceptually. Starting from the 1960s, artists have employed the medium even more consciously as a discursive tool asserting their individuality and critical perspective. This programme of experimental films spanning five decades explores the various paradoxes that individuals face within a society. The films delve into the constructs of historical and socio-political issues, the anxieties of youth, and the absurdities of everyday life. Rendering these complex interplays through performance, humorous interventions, and formal experimentations, the featured artists testify of a wealth of creative strategies to celebrate the power of waywardness.

Rajendra Gour’s Eyes (1968), Chen Chien-Jen’s Dysfunction No.3 (1983), and Han Ok-Hee's The Hole (1974) feature the artists’ commentary on Cold War related world events and address personal experiences with the brutality of repressive political systems. Kuang-Yu Tsui’s The Shortcut to the Systematic Life: City Spirits (2005) celebrates artistic agency through the artist’s bold takeover of public space. City Dog (1992) by Koson Trongtosak, Sathien Preedasa, Amnuay Mangmeesri, and Chavalit Potisri portrays a man’s psychological tension provoked by the effects of Asia’s rapid urbanisation. Here’s Looking At You, Kid! (1990) by Yau Ching, Ellen Pau, and Wong Chi Fai critically reviews Hong Kong’s colonial history, while Wong Ping’s Fables 1 (2018) humorously transforms the anxiety of youth into an absurd animation.

Eyes | Rajendra Gour. Eyes, 1968. Photo: Courtesy of Asian Film Archive.

Dysfunction No.3 | Chen Chieh-Jen. Dysfunction No. 3, 1983, restored 2017. 8mm film transferred to digital; single-channel video (colour, sound) and giclée print, duration: 10 min. 19 sec.. M+, Hong Kong. © Chen Chieh-jen

The Hole | Han Ok-hee. The Hole, 1974. Photo: Courtesy of National Asian Culture Center.

The Shortcut to the Systematic Life: City Spirits | Tsui Kuang-Yu. The Shortcut to the Systematic Life: City Spirits, 2005. Photo: Courtesy of the artist.

City Dog | Koson Trongtosak, Sathien Preedasa, Amnuay Mangmeesri, Chavalit Potisri. City Dog, 1992. Photo: Courtesy of Thai Film Archive.

Here's Looking At You, Kid! | Yau Ching, Ellen Pau, Wong Chi-fai. Here's Looking At You, Kid!, 1990. Photo: Courtesy of Videotage © Yau Ching, Ellen Pau, Wong Chi-fai

Wong Ping’s Fables 1 | Wong Ping. Wong Ping’s Fables 1, 2018. Photo: Courtesy of the artist.