Tehching Hsieh’s Lifeworks—‘No Art Piece’ and ’Thirteen Year Plan’
Tehching Hsieh’s Lifeworks—‘No Art Piece’ and ’Thirteen Year Plan’
This programme is open to festival pass holders and day pass holders only. Seats are limited and available on a first-come, first-served basis.
Tehching Hsieh is renowned for a series of works that revolutionised the conceptual, physical, aesthetic, and temporal limits of performance art. His body of work includes six performances that the artist defines as his ‘lifeworks’. For Asian Avant-Garde Film Festival 2025, Hsieh will participate in three moderated discussions held at the same time on three consecutive days. Each talk will be accompanied by images and clips and will focus on two of his ‘lifeworks’, all of which are held in the M+ Collection.
On Sunday, 1 June, Hsieh will discuss his final two ‘lifeworks’: One Year Performance 1985–1986 (No Art Piece) and Tehching Hsieh 1986–1999 (Thirteen Year Plan).
In No Art Piece, Hsieh refrained from seeing, talking about, or reading about art for an entire year, effectively challenging the very definition of what constitutes art.
For his final work, Thirteen Year Plan, Hsieh made a pact to create art without showing it from 1986 to 1999. Subsequently, on 1 January 2000, he pledged never to create art again.
This final discussion with Hsieh, for Tehching Hsieh’s Lifeworks—No Art Piece and Thirteen Year Plan, will be moderated by Ulanda Blair, M+ Curator of Moving Image. The conversation will take place in English.
Tehching Hsieh. One Year Performance 1985–1986 (No Art Piece), 1985. Photo: M+, Hong Kong, © Tehching Hsieh.
Tehching Hsieh. One Year Performance 1985–1986 (No Art Piece), 1985. Photo: M+, Hong Kong, © Tehching Hsieh.
Tehching Hsieh. Tehching Hsieh 1986-1999, Thirteen Year Plan, 1986, printed 2000. Photo: M+, Hong Kong, © Tehching Hsieh.
About the Artist
Tehching Hsieh (b. 1950, Taiwan) is one of the world’s most respected performance artists. Hsieh carried out demanding performances with extreme rigour by establishing rules and conditions and then adhering to them for extended periods of time. Each of his first five performances lasted for one year, and the sixth lasted for thirteen years. Hsieh adopted the aesthetics of administrative function, often incorporating elements like legal documents into his works to emphasise the constraints he placed on his art and his life.
Portrait of Tehching Hsieh. © Hugo Glendinning
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Image at top: Tehching Hsieh. Tehching Hsieh 1986-1999, Thirteen Year Plan, 1986, printed 2000. Photo: M+, Hong Kong, © Tehching Hsieh.